Home > The Amber Spyglass (His Dark Materials #3)(79)

The Amber Spyglass (His Dark Materials #3)(79)
Author: Philip Pullman

For the most part.

But the longer she looked, the more she began to see another kind of motion. Underlying the random drifting was a deeper, slower, universal movement, out from the land toward the sea.

Well, that was curious. Securing herself to one of her fixed ropes, she crawled out along a horizontal branch, looking closely at all the flower heads she could find. And presently she began to see what was happening. She watched and waited till she was perfectly sure, and then began the careful, lengthy, strenuous process of climbing down.

Mary found the mulefa in a fearful state, having suffered a thousand anxieties for their friend so far off the ground.

Atal was especially relieved, and touched her nervously all over with her trunk, uttering gentle whinnies of pleasure to find her safe, and carrying her swiftly down to the settlement along with a dozen or so others.

A soon as they came over the brow of the hill, the call went out among those in the village, and by the time they reached the speaking ground, the throng was so thick that Mary guessed there were many visitors from elsewhere, come to hear what she said. She wished she had better news for them.

The old zalif Sattamax mounted the platform and welcomed her warmly, and she responded with all the mulefa courtesy she could remember. As soon as the greetings were over, she began to speak.

Haltingly and with many roundabout phrasings, she said:

My good friends, I have been into the high canopy of your trees and looked closely at the growing leaves and the young flowers and the seedpods.

I could see that there is a current of sraf high in the treetops, she went on, and it moves against the wind. The air is moving inland off the sea, but the sraf is moving slowly against it. Can you see that from the ground? Because I could not.

No, said Sattamax. That is the first we ever heard about that.

Well, she continued, the trees are filtering the sraf as it moves through them, and some of it is attracted to the flowers. I could see it happening: the flowers are turned upward, and if the sraf were falling straight down, it would enter their petals and fertilize them like pollen from the stars.

But the sraf isn’t falling down, it’s moving out toward the sea. When a flower happens to be facing the land, the sraf can enter it. That’s why there are still some seedpods growing. But most of them face upward, and the sraf just drifts past without entering. The flowers must have evolved like that because in the past all the sraf fell straight down. Something has happened to the sraf, not to the trees. And you can only see that current from high up, which is why you never knew about it.

So if you want to save the trees, and mulefa life, we must find out why the sraf is doing that. I can’t think of a way yet, but I will try.

She saw many of them craning to look upward at this drift of Dust. But from the ground you couldn’t see it: she looked through the spyglass herself, but the dense blue of the sky was all she could see.

They spoke for a long time, trying to recall any mention of the sraf wind among their legends and histories, but there was none. All they had ever known was that sraf came from the stars, as it had always done.

Finally they asked if she had any more ideas, and she said:

I need to make more observations. I need to find out whether the wind goes always in that direction or whether it alters like the air currents during the day and the night. So I need to spend more time in the treetops, and sleep up there and observe at night. I will need your help to build a platform of some kind so I can sleep safely. But we do need more observations.

The mulefa, practical and anxious to find out, offered at once to build her whatever she needed. They knew the techniques of using pulleys and tackle, and presently one suggested a way of lifting Mary easily into the canopy so as to save her the dangerous labor of climbing.

Glad to have something to do, they set about gathering materials at once, braiding and tying and lashing spars and ropes and lines under her guidance, and assembling everything she needed for a treetop observation platform.

After speaking to the old couple by the olive grove, Father Gomez lost the track. He spent several days searching and inquiring in every direction, but the woman seemed to have vanished completely.

He would never have given up, although it was discouraging; the crucifix around his neck and the rifle at his back were twin tokens of his absolute determination to complete the task.

But it would have taken him much longer if it hadn’t been for a difference in the weather. In the world he was in, it was hot and dry, and he was increasingly thirsty; and seeing a wet patch of rock at the top of a scree, he climbed up to see if there was a spring there. There wasn’t, but in the world of the wheel-pod trees, there had just been a shower of rain; and so it was that he discovered the window and found where Mary had gone.

TWENTY-ONE

THE HARPIES

I hate things all fiction … There should always be some
foundation of fact …

• BY RON •

Lyra and Will each awoke with a heavy dread: it was like being a condemned prisoner on the morning fixed for the execution. Tialys and Salmakia were attending to their dragonflies, bringing them moths lassoed near the anbaric lamp over the oil drum outside, flies cut from spiderwebs, and water in a tin plate. When she saw the expression on Lyra’s face and the way that Pantalaimon, mouse-formed, was pressing himself close to her breast, the Lady Salmakia left what she was doing to come and speak with her. Will, meanwhile, left the hut to walk about outside.

“You can still decide differently,” said Salmakia.

“No, we can’t. We decided already,” said Lyra, stubborn and fearful at once.

“And if we don’t come back?”

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