"Remember --"
The door closed before Marian could finish, and we were gone.
6.15
Exile
The door slammed behind us. Liv straightened her worn leather knapsack, and Link grabbed a torch from the wal of the tunnel. They were ready to folow me into the great unknown, but instead we stood there, staring at each other.
"Wel ?" Liv looked at me expectantly. "It's not rocket science. You either know the way, or you --"
"Shh. Give him a second." Link clamped his hand over Liv's mouth. "Use the force, young Skywalker." This Wayward thing apparently carried some weight. They actual y thought I knew where to go, which only left one problem. I didn't.
"This way." I was going to have to make it up as I went along.
Marian said the Caster Tunnels were endless, a world beneath our own, but I never real y understood what she meant until now. As we turned the first corner, the passage changed, narrowing into damper and darker circular wal s that felt more like a tube than a tunnel. I pressed against the wal s to push myself forward, and my torch fel in the mud.
"Crap." I gripped the torch's wooden handle between my teeth and kept going.
"This sucks." Link was muttering behind me as his torch burned out.
Liv was behind him. "Mine's out, too." We were in complete darkness. The ceiling was so low, we had to duck beneath the muddy rock.
"This is real y freakin' me out." Link had never liked the dark.
Liv cal ed out from behind us. "Eventual y you're going to reach the ..."
I hit my head against something hard and splintery in the darkness. "Ouch!"
"... Doorwel ."
Link must have pul ed his flashlight out of his pocket, because a flickering circle of light hit the round door in front of me. It was some kind of cold metal, not the splintering wood or crumbling stone of the other doors we'd seen. It looked more like a manhole cover in the wal . I pushed my shoulder against it, but it didn't budge.
"What now?" I cal ed back to Liv, my stand-in for Marian on al Caster-related issues. I heard her flipping pages in her notebook.
"I don't know. Maybe push harder?"
"You had to check your little book for that?" I was annoyed.
"You want me to crawl up there and do it for you?" Liv wasn't happy either.
"Come on, kids. I'l push Ethan, you push me, Ethan pushes the door."
"Bril iant," Liv said.
"Shoulder to shoulder, MJ."
"Excuse me?"
"Marian Junior. You're the one who wanted an adventure. You got a better idea?"
The door had no handle or valve. It fit into a perfect seam, a circle of metal in a circular doorway. Not even a slit of light escaped through the cracks. "Link's right. We don't have a choice, and we're not going back now." I wedged my shoulder against the door. "One, two, three. Push!"
When the tips of my fingers touched the door, it swung open as if my skin was somehow the genetic recognition, the key that opened the door. Link smashed into me, and Liv tumbled on top of both of us. I cracked my head against what seemed like stone as I hit the ground. I felt so dizzy, I couldn't see anything. When I opened my eyes, I was staring up at a streetlamp.
"What happened?" Link sounded as disoriented as I was.
I felt around the edge of the stones with my fingertips. Cobblestones. "I just touched the door, and it opened."
"Amazing." Liv stood up, taking it al in.
I was lying in a city street that looked like London or an old town right out of a history book. Behind me, I could see the round doorway, at the road's end. There was a brass street sign next to it that said WESTERN DOORWELL, CENTRAL
LIBRARY.
Link sat up next to me, rubbing his head. "Holy crap. This is like one of those al eys where people got hacked up by Jack the Ripper." He was right. We could have been standing in the mouth of an al ey in nineteenth-century London. The street was dark, lit by only the dim glow of a few lampposts. The al ey was framed on both sides by the backs of tal brick row houses.
Liv stood up and made her way down the deserted cobblestone street, looking up at an old iron street sign: THE KEEP. "That must be the name of this particular tunnel. Unbelievable. Professor Ashcroft told me, but I never imagined. I suppose books couldn't real y do it justice, could they?"
"Yeah, it looks nothin' like the postcards." Link pul ed himself to his feet. "Al I wanna know is, where'd the ceilin' go?" The curved arch of the tunnel's ceiling was gone, and in its place was a dark evening sky, as big and real and ful of stars as any sky I'd ever seen.
Liv pul ed out her notebook and started writing. "Don't you get it? These are Caster Tunnels. They're not some supernatural subway system, so Casters can creep around under Gatlin borrowing library books."
"Then what are they?" I ran my hand along the rough brick on the side of the nearest building.
"More like roads to another world. Or, in a way, a whole world al to themselves."
I heard something, and my heart jumped. I thought Lena was Kelting, reconnecting with me. But I was wrong.
It was music.
"Do you hear that?" Link asked. I was relieved. For once, the music wasn't coming from inside my head. It was coming from the end of the al ey. It sounded like the Caster music from the party at Ravenwood last Hal oween, the night I saved Lena from Sarafine's psychic attack.
I listened for Lena, felt for her, remembering that night. Nothing.
Liv checked her selenometer and wrote something else in her notebook. " Carmen. I was transcribing one yesterday."
"English, please." Link was stil staring up at the sky, trying to figure it al out.
"Sorry. It means 'Charmed Song.' It's Caster music."
I took off, fol owing the sound down the al ey. "Whatever it is, it's coming from down here."
Marian had been right. It was one thing to wander through the damp tunnels of the Lunae Libri, but this was something entirely different. We had no idea what we had gotten ourselves into. I already knew that much.
As I walked down the al ey, the music grew louder, the cobblestones smoothed their way into asphalt beneath my feet, and the street changed from Old World London to modern-day slum. It was a street you could find in any big city, in some forgotten run-down neighborhood. The buildings looked like abandoned warehouses, iron grating covered the shattered windows, and the remnants of broken signs blinked fluorescent light into the darkness. There were cigarette butts and trash al over the street, and a strange sort of Caster graffiti -- symbols I couldn't begin to understand -- on the sides of the buildings. I pointed it out to Liv. "Do you know what any of that means?"
She shook her head. "No, I've never seen anything like it. But it means something. Every symbol in the Caster world has significance."
"This place is even freakier than the Lunae Libri." Link was trying to play it cool in front of Liv, but he was having a hard time pul ing it off.
"Do you wanna go back?" I wanted to give him an out, but I knew he had as much of a reason to be down here as I did. His reason was just blonder.
"Are you cal in' me a wuss?"
"Shh, shut up --" I heard it.
The Caster music drifted through the air, the seductive melody replaced by something else. This time, I was the only one who could hear the words.
Seventeen moons, seventeen fears,
Pain of death and shame of tears,
Find the marker, walk the mile,
Seventeen knows just exile ...
"I hear it. We must be close." I fol owed the song as it looped over and over in my head.
Link looked at me like I was crazy. "Hear what?"
"Nothing. Just fol ow me."
The huge metal doors lining the filthy street were al the same, dented and scratched, as if they'd been attacked by an enormous animal or something worse. Except for the last door, the one with Seventeen Moons playing inside. It was painted black and covered with more Caster graffiti. But one of the symbols looked different, and it wasn't spray-painted on the door. It was carved into it. I ran my fingers over the cuts in the wood. "This one looks different, almost Celtic."
Liv's voice was a whisper. "Not Celtic. Niadic. It's an ancient Caster language. A lot of the older scrol s in the Lunae Libri are written in it."
"What does it say?"
She examined the symbol careful y. "Niadic doesn't translate directly into words. I mean, you can't think about the words as words, not exactly. This symbol means place, or moment, either in physical space or time." She ran her finger over a slash in the wood. "But this line cuts through it, see? So now the place becomes a lack of place, a no place."
"How can a place be a no place? You're either in a place, or you're not." But as I said it, I knew it wasn't true. I had been in a no place for months now, and so had Lena.
She looked up at me. "I think it says something like 'Exile.' "
Seventeen knows just exile.
"That's exactly what it says."
Liv gave me a strange look. "You can't know that, or do you suddenly speak Niadic?" She had a gleam in her eye, as if this was further proof I might be a Wayward.
"I heard it in a song." I reached for the door, but Liv grabbed my arm. "Ethan, this isn't a game. This isn't the pie-baking contest at the county fair. You're not in Gatlin anymore. There are dangerous things down here, creatures far more deadly than Ridley and her lol ipops."
I knew she was trying to scare me, but it wasn't working. Since the night of Lena's birthday, I knew more about the dangers of the Caster world than any librarian could, Keeper or not. I didn't blame her for being afraid. You would have to be stupid not to be -- like me.
"You're right. It's not the library. I'l understand if you guys don't want to go in there, but I have to. Lena's here, somewhere."
Link pushed open the door and walked in like it was the Jackson High locker room. "Whatever. I'm into dangerous creatures."
I shrugged and fol owed him. Liv tightened her hand around the strap of her knapsack, ready to swing it at someone's head if necessary. She took a tentative step, and the door closed behind her.
Inside it was even darker than on the street. Huge crystal chandeliers, completely out of place among the exposed pipes overhead, provided the only light. The rest of the room was pure industrial rave. It was one gigantic space, with circular booths covered in dark red velvet scattered around the perimeter. Some were surrounded by heavy drapes attached to tracks in the ceiling so they could be closed around the booth, the way the curtains close around hospital beds.
There was a bar in the back, in front of a round chrome door with a handle.
Link spotted it, too. "Is that what I think it is?"
I nodded. "A vault."
The weird chandeliers, the bar that looked more like a counter, the huge windows covered haphazardly with black tape, the vault. This place could have been a bank once, if Casters had banks. I wondered what they had kept behind that door -- or maybe I didn't want to know.
But nothing was weirder than the people, or whatever they were. The crowd surged and receded like at one of Macon's parties, where time seemed to fade in and out, depending on where you looked. From turn-of-the-century suited gentlemen who looked like Mark Twain, with stiff white-winged col ars and striped silk ties, to Goth-looking leather-clad punks, they were al drinking, dancing, and mingling.