Bod said, “I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,” he said, and then he paused and he thought. “I want everything.”
“Good,” said Silas. Then he put up his hand as if he were brushing away the hair from his eyes—a most uncharacteristic gesture. He said, “If ever it transpires that I am in trouble, I shall indeed send for you.”
“Even though you don’t get into trouble?”
“As you say.”
There was something at the edge of Silas’s lips that might have been a smile, and might have been regret, and might just have been a trick of the shadows.
“Good-bye, then, Silas.” Bod held out his hand, as he had when he was a small boy, and Silas took it, in a cold hand the color of old ivory, and shook it gravely.
“Good-bye, Nobody Owens.”
Bod picked up the little suitcase. He opened the door to let himself out of the crypt, walked back up the gentle slope to the path without looking back.
It was well after the gates were locked. He wondered as he reached them if the gates would still let him walk through them, or if he would have to go back into the chapel to get a key, but when he got to the entrance he found the small pedestrian gate was unlocked and wide open, as if it was waiting for him, as if the graveyard itself was bidding him good-bye.
One pale, plump figure waited in front of the open gate, and she smiled up at him as he came towards her, and there were tears in her eyes in the moonlight.
“Hullo, Mother,” said Bod.
Mistress Owens rubbed her eyes with a knuckle, then dabbed at them with her apron, and she shook her head. “Do you know what you’re going to do now?” she asked.
“See the world,” said Bod. “Get into trouble. Get out of trouble again. Visit jungles and volcanoes and deserts and islands. And people. I want to meet an awful lot of people.”
Mistress Owens made no immediate reply. She stared up at him, and then she began to sing a song that Bod remembered, a song she used to sing him when he was a tiny thing, a song that she had used to lull him to sleep when he was small.
“Sleep my little babby-oh
Sleep until you waken
When you wake you’ll see the world
If I’m not mistaken…”
“You’re not,” whispered Bod. “And I shall.”
“Kiss a lover
Dance a measure,
Find your name
And buried treasure…”
Then the last lines of the song came back to Mistress Owens, and she sang them to her son.
“Face your life
Its pain, its pleasure,
Leave no path untaken”
“Leave no path untaken,” repeated Bod. “A difficult challenge, but I can try my best.”
He tried to put his arms around his mother then, as he had when he was a child, although he might as well have been trying to hold mist, for he was alone on the path.
He took a step forward, through the gate that took him out of the graveyard. He thought a voice said, “I am so proud of you, my son,” but he might, perhaps, have imagined it.
The midsummer sky was already beginning to lighten in the east, and that was the way that Bod began to walk: down the hill, towards the living people, and the city, and the dawn.
There was a passport in his bag, money in his pocket. There was a smile dancing on his lips, although it was a wary smile, for the world is a bigger place than a little graveyard on a hill; and there would be dangers in it and mysteries, new friends to make, old friends to rediscover, mistakes to be made and many paths to be walked before he would, finally, return to the graveyard or ride with the Lady on the broad back of her great grey stallion.
But between now and then, there was Life; and Bod walked into it with his eyes and his heart wide open.