“Yes, I see.” Dick got up. “I was only talking big. Everything’s just starting over. Most of the Americans in France are frantic to get home, but not me—I draw military pay all the rest of the year if I only attend lectures at the university. How’s that for a government on the grand scale that knows its future great men? Then I’m going home for a month and see my father. Then I’m coming back—I’ve been offered a job.”
“Where?”
“Your rivals—Gisler’s Clinic on Interlacken.”
“Don’t touch it,” Franz advised him. “They’ve had a dozen young men there in a year. Gisler’s a manic-depressive himself, his wife and her lover run the clinic—of course, you understand that’s confidential.”
“How about your old scheme for America?” asked Dick lightly. “We were going to New York and start an up-to-date establishment for billionaires.”
“That was students’ talk.”
Dick dined with Franz and his bride and a small dog with a smell of burning rubber, in their cottage on the edge of the grounds, He felt vaguely oppressed, not by the atmosphere of modest retrenchment, nor by Frau Gregorovius, who might have been prophesied, but by the sudden contracting of horizons to which Franz seemed so reconciled. For him the boundaries of asceticism were differently marked—he could see it as a means to an end, even as a carrying on with a glory it would itself supply, but it was hard to think of deliberately cutting life down to the scale of an inherited suit. The domestic gestures of Franz and his wife as they turned in a cramped space lacked grace and adventure. The post-war months in France, and the lavish liquidations taking place under the жgis of American splendor, had affected Dick’s outlook. Also, men and women had made much of him, and perhaps what had brought him back to the centre of the great Swiss watch, was an intuition that this was not too good for a serious man.
He made Kaethe Gregorovius feel charming, meanwhile becoming increasingly restless at the all-pervading cauliflower— simultaneously hating himself too for this incipience of he knew not what superficiality.
“God, am I like the rest after all?”—So he used to think starting awake at night—“Am I like the rest?”
This was poor material for a socialist but good material for those who do much of the world’s rarest work. The truth was that for some months he had been going through that partitioning of the things of youth wherein it is decided whether or not to die for what one no longer believes. In the dead white hours in Zurich staring into a stranger’s pantry across the upshine of a street- lamp, he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
V
The veranda of the central building was illuminated from open French windows, save where the black shadows of stripling walls and the fantastic shadows of iron chairs slithered down into a gladiola bed. From the figures that shuffled between the rooms Miss Warren emerged first in glimpses and then sharply when she saw him; as she crossed the threshold her face caught the room’s last light and brought it outside with her. She walked to a rhythm—all that week there had been singing in her ears, summer songs of ardent skies and wild shade, and with his arrival the singing had become so loud she could have joined in with it.
“How do you do, Captain,” she said, unfastening her eyes from his with difficulty, as though they had become entangled. “Shall we sit out here?” She stood still, her glance moving about for a moment. “It’s summer practically.”
A woman had followed her out, a dumpy woman in a shawl, and Nicole presented Dick: “Señora—”
Franz excused himself and Dick grouped three chairs together.
“The lovely night,” the Señora said.
“Muy bella,” agreed Nicole; then to Dick, “Are you here for a long time?”
“I’m in Zurich for a long time, if that’s what you mean.”
“This is really the first night of real spring,” the Señora suggested.
“To stay?”
“At least till July.”
“I’m leaving in June.”
“June is a lovely month here,” the Señora commented. “You should stay for June and then leave in July when it gets really too hot.”
“You’re going where?” Dick asked Nicole.
“Somewhere with my sister—somewhere exciting, I hope, because I’ve lost so much time. But perhaps they’ll think I ought to go to a quiet place at first—perhaps Como. Why don’t you come to Como?”
“Ah, Como—” began the Señora.
Within the building a trio broke into Suppe’s “Light Cavalry.” Nicole took advantage of this to stand up and the impression of her youth and beauty grew on Dick until it welled up inside him in a compact paroxysm of emotion. She smiled, a moving childish smile that was like all the lost youth in the world.
“The music’s too loud to talk against—suppose we walk around. Buenas noches, Señora.”
“G’t night—g’t night.”
They went down two steps to the path—where in a moment a shadow cut across it. She took his arm.
“I have some phonograph records my sister sent me from America,” she said. “Next time you come here I’ll play them for you—I know a place to put the phonograph where no one can hear.”
“That’ll be nice.”
“Do you know ‘Hindustan’?” she asked wistfully. “I’d never heard it before, but I like it. And I’ve got ‘Why Do They Call Them Babies?’ and ‘I’m Glad I Can Make You Cry.’ I suppose you’ve danced to all those tunes in Paris?”
“I haven’t been to Paris.”
Her cream-colored dress, alternately blue or gray as they walked, and her very blonde hair, dazzled Dick—whenever he turned toward her she was smiling a little, her face lighting up like an angel’s when they came into the range of a roadside arc. She thanked him for everything, rather as if he had taken her to some party, and as Dick became less and less certain of his relation to her, her confidence increased—there was that excitement about her that seemed to reflect all the excitement of the world.
“I’m not under any restraint at all,” she said. “I’ll play you two good tunes called ‘Wait Till the Cows Come Home’ and ‘Good-by, Alexander.’”