"Sure. Especially you," I say.
"Oh. And why especially me?" he says with a smile.
"Because you have a weakness for beautiful things and I don't," I say with an air of superiority. "They would lure you into their Capitol ways and you'd be lost entirely."
"Having an eye for beauty isn't the same thing as a weakness," Peeta points out. "Except possibly when it comes to you." The music is beginning and I see the wide doors opening for the first chariot, hear the roar of the crowd. "Shall we?" He holds out a hand to help me into the chariot.
I climb up and pull him up after me. "Hold still," I say, and straighten his crown. "Have you seen your suit turned on? We're going to be fabulous again."
"Absolutely. But Portia says we're to be very above it all. No waving or anything," he says. "Where are they, anyway?"
"I don't know." I eye the procession of chariots. "Maybe we better go ahead and switch ourselves on." We do, and as we begin to glow, I can see people pointing at us and chattering, and I know that, once again, we'll be the talk of the opening ceremonies. We're almost at the door. I crane my head around, but neither Portia nor Cinna, who were with us right up to the final second last year, are anywhere in sight. "Are we supposed to hold hands this year?" I ask.
"I guess they've left it up to us," says Peeta.
I look up into those blue eyes that no amount of dramatic makeup can make truly deadly and remember how, just a year ago, I was prepared to kill him. Convinced he was trying to kill me. Now everything is reversed. I'm determined to keep him alive, knowing the cost will be my own life, but the part of me that is not so brave as I could wish is glad that it's Peeta, not Haymitch, beside me. Our hands find each other without further discussion. Of course we will go into this as one.
The voice of the crowd rises into one universal scream as we roll into the fading evening light, but neither one of us reacts. I simply fix my eyes on a point far in the distance and pretend there is no audience, no hysteria. I can't help catching glimpses of us on the huge screens along the route, and we are not just beautiful, we are dark and powerful. No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans' favor, grace them with our smiles, or catch their kisses. We are unforgiving.
And I love it. Getting to be myself at last.
As we curve around into the loop of the City Circle, I can see that a couple of the other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from District 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
Peeta and I, on the other hand, are so mesmerizing with our ever-changing coal costumes that most of the other tributes are staring at us. We seem particularly riveting to the pair from District 6, who are known morphling addicts. Both bone thin, with sagging yellowish skin. They can't tear their overlarge eyes away, even when President Snow begins to speak from his balcony, welcoming us all to the Quell. The anthem plays, and as we make our final trip around the circle, am I wrong? Or do I see the president fixated on me as well?
Peeta and I wait until the doors of the Training Center have closed behind us to relax. Cinna and Portia are there, pleased with our performance, and Haymitch has made an appearance this year as well, only he's not at our chariot, he's over with the tributes of District 11. I see him nod in our direction and then they follow him over to greet us.
I know Chaff by sight because I've spent years watching him pass a bottle back and forth with Haymitch on television. He's dark skinned, about six feet tall, and one of his arms ends in a stump because he lost his hand in the Games he won thirty years ago. I'm sure they offered him some artificial replacement, like they did Peeta when they had to amputate his lower leg, but I guess he didn't take it.
The woman, Seeder, looks almost like she could be from the Seam, with her olive skin and straight black hair streaked with silver. Only her golden brown eyes mark her as from another district. She must be around sixty, but she still looks strong, and there's no sign she's turned to liquor or morphling or any other chemical form of escape over the years. Before either of us says a word, she embraces me. I know somehow it must be because of Rue and Thresh. Before I can stop myself, I whisper, "The families?"
"They're alive," she says back softly before letting me go.
Chaff throws his good arm around me and gives me a big kiss right on the mouth. I jerk back, startled, while he and Haymitch guffaw.
That's about all the time we get before the Capitol attendants are firmly directing us toward the elevators. I get the distinct feeling they're not comfortable with the camaraderie among the victors, who couldn't seem to care less. As I walk toward the elevators, my hand still linked with Peeta's, someone else rustles up to my side. The girl pulls off a headdress of leafy branches and tosses it behind her without bothering to look where it falls.
Johanna Mason. From District 7 Lumber and paper, thus the tree. She won by very convincingly portraying herself as weak and helpless so that she would be ignored. Then she demonstrated a wicked ability to murder. She ruffles up her spiky hair and rolls her wide-set brown eyes. "Isn't my costume awful? My stylist's the biggest idiot in the Capitol. Our tributes have been trees for forty years under her. Wish I'd gotten Cinna. You look fantastic."
Girl talk. That thing I've always been so bad at. Opinions on clothes, hair, makeup. So I lie. "Yeah, he's been helping me design my own clothing line. You should see what he can do with velvet." Velvet. The only fabric. I could think of off the top of my head.
"I have. On your tour. That strapless number you wore in District Two? The deep blue one with the diamonds? So gorgeous I wanted to reach through the screen and tear it right off your back," says Johanna.
I bet you did, I think. With a few inches of my flesh.
While we wait for the elevators, Johanna unzips the rest of her tree, letting it drop to the floor, and then kicks it away in disgust. Except for her forest green slippers, she doesn't have on a stitch of clothing. "That's better."
We end up on the same elevator with her, and she spends the whole ride to the seventh floor chatting to Peeta about his paintings while the light of his still-glowing costume reflects off her bare br**sts. When she leaves, I ignore him, but I just know he's grinning. I toss aside his hand as the doors close behind Chaff and Seeder, leaving us alone, and he breaks out laughing.