Home > Catching Fire (The Hunger Games #2)(61)

Catching Fire (The Hunger Games #2)(61)
Author: Suzanne Collins

Finnick's back by my side, Peeta hanging over him. "It's no use," I say. "Can you take them both? Go on ahead, I'll catch up." A somewhat doubtful proposal, but I say it with as much surety as I can muster.

I can see Finnick's eyes, green in the moonlight. I can see them as clear as day. Almost like a cat's, with a strange reflective quality. Maybe because they are shiny with tears. "No," he says. "I can't carry them both. My arms aren't working." It's true. His arms jerk uncontrollably at his sides. His hands are empty. Of his three tridents, only one remains, and it's in Peeta's hands. "I'm sorry, Mags. I can't do it."

What happens next is so fast, so senseless, I can't even move to stop it. Mags hauls herself up, plants a kiss on Finnick's lips, and then hobbles straight into the fog. Immediately, her body is seized by wild contortions and she falls to the ground in a horrible dance.

I want to scream, but my throat is on fire. I take one futile step in her direction when I hear the cannon blast, know her heart has stopped, that she is dead. "Finnick?" I call out hoarsely, but he has already turned from the scene, already continued his retreat from the fog. Dragging my useless leg behind me, I stagger after him, having no idea what else to do.

Time and space lose meaning as the fog seems to invade my brain, muddling my thoughts, making everything unreal. Some deep-rooted animal desire for survival keeps me stumbling after Finnick and Peeta, continuing to move, although I'm probably dead already. Parts of me are dead, or clearly dying. And Mags is dead. This is something I know, or maybe just think I know, because it makes no sense at all.

Moonlight glinting on Finnick's bronze hair, beads of searing pain peppering me, a leg turned to wood. I follow Finnick until he collapses on the ground, Peeta still on top of him. I seem to have no ability to stop my own forward motion and simply propel myself onward until I trip over their prone bodies, just one more on the heap. This is where and how and when we all die, I think. But the thought is abstract and far less alarming than the current agonies of my body. I hear Finnick groan and manage to drag myself off the others. Now I can see the wall of fog, which has taken on a pearly white quality. Maybe it's my eyes playing tricks, or the moonlight, but the fog seems to be transforming. Yes, it's becoming thicker, as if it has pressed up against a glass window and is being forced to condense. I squint harder and realize the fingers no longer protrude from it. In fact, it has stopped moving forward entirely. Like other horrors I have witnessed in the arena, it has reached the end of its territory. Either that or the Gamemakers have decided not to kill us just yet.

"It's stopped," I try to say, but only an awful croaking sound comes from my swollen mouth. "It's stopped," I say again, and this time I must be clearer, because both Peeta and Finnick turn their heads to the fog. It begins to rise upward now, as if being slowly vacuumed into the sky. We watch until it has all been sucked away and not the slightest wisp remains.

Peeta rolls off Finnick, who turns over onto his back. We lie there gasping, twitching, our minds and bodies invaded by the poison. After a few minutes pass, Peeta vaguely gestures upward. "Mon-hees." I look up and spot a pair of what I guess are monkeys. I have never seen a live monkey - there's nothing like that in our woods at home. But I must have seen a picture, or one in the Games, because when I see the creatures, the same word comes to my mind. I think these have orange fur, although it's hard to tell, and are about half the size of a full-grown human. I take the monkeys for a good sign. Surely they would not hang around if the air was deadly. For a while, we quietly observe one another, humans and monkeys. Then Peeta struggles to his knees and crawls down the slope. We all crawl, since walking now seems as remarkable a feat as flying; we crawl until the vines turn to a narrow strip of sandy beach and the warm water that surrounds the Cornucopia laps our faces. I jerk back as if I've touched an open flame.

Rubbing salt in a wound. For the first time I truly appreciate the expression, because the salt in the water makes the pain of my wounds so blinding I nearly black out. But there's another sensation, of drawing out. I experiment by gingerly placing only my hand in the water. Torturous, yes, but then less so. And through the blue layer of water, I see a milky substance leaching out of the wounds on my skin. As the whiteness diminishes, so does the pain. I unbuckle my belt and strip off my jumpsuit, which is little more than a perforated rag. My shoes and undergarments are inexplicably unaffected. Little by little, one small portion of a limb at a time, I soak the poison out of my wounds. Peeta seems to be doing the same. But Finnick backed away from the water at first touch and lies facedown on the sand, either unwilling or unable to purge himself.

Finally, when I have survived the worst, opening my eyes underwater, sniffing water into my sinuses and snorting it out, and even gargling repeatedly to wash out my throat, I'm functional enough to help Finnick. Some feeling has returned to my leg, but my arms are still riddled with spasms. I can't drag Finnick into the water, and possibly the pain would kill him, anyway. So I scoop up shaky handfuls and empty them on his fists. Since he's not underwater, the poison comes out of his wounds just as it went in, in wisps of fog that I take great care to steer clear of. Peeta recovers enough to help me. He cuts away Finnick's jumpsuit. Somewhere he finds two shells that work much better than our hands do. We concentrate on soaking Finnick's arms first, since they have been so badly damaged, and even though a lot of white stuff pours out of them, he doesn't notice. He just lies there, eyes shut, giving an occasional moan.

I look around with growing awareness of how dangerous a position we're in. It's night, yes, but this moon gives off too much light for concealment. We're lucky no one's attacked us yet. We could see them coming from the Cornucopia, but if all four Careers attacked, they'd overpower us. If they didn't spot us at first, Finnick's moans would give us away soon.

"We've got to get more of him into the water," I whisper. But we can't put him in face-first, not while he's in this condition. Peeta nods to Finnick's feet. We each take one, pull him one hundred and eighty degrees around, and start to drag him into the saltwater. Just a few inches at a time. His ankles. Wait a few minutes. Up to his midcalf. Wait. His knees. Clouds of white swirl out from his flesh and he groans. We continue to detoxify him, bit by bit. What I find is that the longer I sit in the water, the better I feel. Not just my skin, but my brain and muscle control continue to improve. I can see Peeta's face beginning to return to normal, his eyelid opening, the grimace leaving his mouth.

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