Home > Behind the Hands That Kill (In the Company of Killers #6)(28)

Behind the Hands That Kill (In the Company of Killers #6)(28)
Author: J.A. Redmerski

“Yes,” I answer without hesitation.

She shakes her head. “Such a dumb, love-struck girl.”

“You loved him,” I counter. “You knew he killed Marina, and you knew, in a roundabout way, why, yet you still loved him.” I round my chin, defying the cold blade pressed to my throat. “And you still love him now. He slit your throat and left you for dead, and he admitted that he still would’ve killed you if you were carrying his baby, yet you’re still in love with him—dumb and love-struck doesn’t even begin to explain you.”

Artemis scowls, and Apollo wrenches my head backward vigorously in reaction to it.

She steps away from Victor and approaches the cage exit; the guards shuffle backward carefully to make way for her. I watch Victor in my peripheral vision, and see him start to follow, but he stops when Apollo’s hand makes a threatening movement against me.

Artemis exits the cage without incident, and stands in the opened doorway. She motions a hand toward us. “Bring her now,” she orders, and I’m violently extracted from the chair and brought to my feet; all the way to the cell, Apollo’s knife blade is kissing my jugular. Artemis moves out of the way of the door, and then I’m kissing the stone floor when Apollo shoves me through the opening.

Victor’s hands are behind me before I can even raise my head, and he’s lifting me into his arms. “I am so sorry, love,” he says, and presses his lips to the top of my head; his arms encircle me.

“I remember when he used to call me that,” Artemis says, whimsically. She closes the cage, twists the key in the lock afterward, and then pockets it.

She walks around in front of us, then she reaches out her hand to her brother. Already knowing what she wants, Apollo places the knife he had been holding to my throat, into her palm, her long, slender fingers collapsing around it. Stepping up closer, she leans over and slips the knife through the bars, setting it on the floor inside the cell.

“If it looks familiar,” she says to Victor, “that’s because it is.”

Straightening her back, she turns and walks away, taking her twin brother with her.

“I’ll give you something that we never had,” Artemis says, stops, and turns to see us once more. “A moment alone together before you kill her.”

My heart stops.

“I will not kill her,” Victor says calmly…uncertainly?

The blood in my veins turns to ice; his arms tighten around me.

Looking back, Artemis smiles and says with eerie confidence, “Yes you will. I’ve never been so sure about anything in my life.”

She and Apollo exit the room, leaving us with the armed guards.

Trying to ignore the feeling in my gut, I turn to Victor quickly, my wrists still bound behind my back. “We have to get out of here,” I say, frantic. “Cut me loose.” I turn around, putting my back to him, and my wrists into his view. “Hurry, Victor!” I don’t care that the guards are watching. I don’t give two fucks that they’ll surely stop us when we manage to use the knife to pick the lock of the cell door. I don’t care! We have to do something—

“No.” Victor’s voice stuns me, the stillness of it, the irrevocable finality of the word.

I turn again to face him, my eyes wide, my mouth parted.

“W-What do you mean?” I ask. But I already know; still I don’t want to believe it.

“I mean no, Izabel.” He looks right at me, and the tranquil, yet intense look in his gaze frightens me. “This time it is over. There is no getting out of this one—it is over.”

I start to throw my hands up in the air until I realize that I can’t, and that pisses me off even more.

“So you’re just giving up?” I can’t even believe I’m saying this. “You’re just going to accept this and give up? What the hell is wrong with you?” I push myself into his space, glaring at him.

He remains as calm as ever. And I want to slap him for it.

“Victor—”

“I did not finish telling you the truth about Kessler,” Victor interrupts. “You need to know the truth.”

I suck in sharply, unable to speak, terrified about what he’s going to admit to. I hadn’t forgotten any of this: about Italy, or Nora, or whatever else Victor had wanted to say—I just wanted to forget. Already I feel sick to my stomach, and my heart is withering like a dying flower.

Anything but that, Victor…tell me anything but what I think you’re going to.

Victor

“I knew you would want Kessler alive,” I say. “I wanted her alive even more than you did, but I could not let you know that.”

Izabel’s chin rears back; a look of confusion crawls over her features—perhaps she thought I was going to say something else; I cannot tell if she is relieved by my confession, or not. But then another look begins to take over, and this one I am quite familiar with: the sting of realization.

Her eyes narrow; she glares at me in a sidelong manner.

“You manipulated me,” she accuses.

“Yes.”

“You didn’t give a shit about what Nora did: kidnapping Dina; turning Niklas against you; making me relive the nightmare of my confession when I was alone—or so I thought—in that room with her. You didn’t care about any of that!”

“That is not true,” I speak out. “At first I wanted her dead as much as everyone else—I was going to kill her myself. And later, I did care about what she did to you.”

“But not enough to kill her for it!” She struggles with her hands behind her, her shoulders end up making awkward motions for her as her voice blazes at me from just a foot away. “You knew I’d want her to stay so she could train me! But you wanted me to be the one to make the decision because if you did it, after everything she’d done, then I’d know the truth—I’d know you wanted her!”

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