Home > Written in My Own Heart's Blood (Outlander #8)(274)

Written in My Own Heart's Blood (Outlander #8)(274)
Author: Diana Gabaldon

“Huh,” she said, and sipped, flipping back over the pages she’d written. “What a hodgepodge.” This wouldn’t do anyone much good: nothing but disconnected thoughts and things that didn’t even qualify as decent speculation.

Still, her mind wouldn’t let go of the matter. Electromagnetism . . . Bodies had electric fields of their own, she knew that much. Was that maybe why you didn’t just disintegrate when you traveled? Did your own field keep you together, just long enough to pop out again? She supposed that might explain the gemstone thing: you could travel on the strength of your own field, if you were lucky, but the energy released from the molecular bonds in a crystal might well add to that field, so perhaps . . . ?

“Bugger,” she said, her overworked mental processes creaking to a halt. She glanced guiltily at the hallway that led to the kids’ room. They both knew that word, but they oughtn’t to think their mother did.

She sank back to finish the wine and let her mind roam free, soothed by the sound of the distant surf. Her mind wasn’t interested in water, though; it seemed still concerned with electricity.

“I sing the Body Electric,” she said softly. “The armies of those I love engirth me.”

Now, there was a thought. Maybe Walt Whitman had been onto something . . . because if the electric attraction of the armies of those I love had an effect on time-traveling, it would explain the apparent effect of fixing your attention on a specific person, wouldn’t it?

She thought of standing in the stones of Craigh na Dun, thinking of Roger. Or of standing on Ocracoke, mind fixed fiercely on her parents—she’d read all the letters now; she knew exactly where they were. . . . Would that make a difference? An instant’s panic, as she tried to visualize her father’s face, more as she groped for Roger’s . . .

The expression of the face balks account. The next line echoed soothingly in her head. But the expression of a well-made man appears not only in his face;

It is in his limbs and joints also, it is curiously in the joints of his hips and wrists;

It is in his walk, the carriage of his neck, the flex of his waist and knees—dress does not hide him;

The strong, sweet supple quality he has, strikes through the cotton and flannel;

To see him pass conveys as much as the best poem, perhaps more;

You linger to see his back, and the back of his neck and shoulder-side.

She didn’t remember any more, but didn’t need to; her mind had calmed.

“I’d know you anywhere,” she said softly to her husband, and lifted the remains of her glass. “Slàinte.”

NAY GREAT SHORTAGE OF HAIR IN SCOTLAND

MR. CUMBERPATCH proved to be a tall, ascetic person with an incongruous crop of red curls that sat on his head like a small, inquisitive animal. He had, he said, taken the disks in trade for a sucking pig, along with a tin pan whose bottom had been burnt through but could easy be patched, six horseshoes, a looking glass, and half a dresser.

“Not really a tinker by trade, see?” he said. “Don’t travel much. But things come and find me, they do.”

Evidently they did. Mr. Cumberpatch’s tiny cottage was crammed to its rafters with items that had once been useful and might be so again, once Mr. Cumberpatch got round to fixing them.

“Sell much?” Buck asked, raising an eyebrow at a disassembled carriage clock that sat on the hearth, its internal organs neatly piled into a worn silver comfit dish.

“Happen,” Mr. Cumberpatch said laconically. “See anything ye like?”

In the interests of cooperation, Roger haggled politely for a dented canteen and a canvas bed sack with only a few small charred holes at one end, these the result of some soldier taking his rest too close to a campfire. And received in turn the name and general direction of the person from whom Mr. Cumberpatch had got the disks.

“Flimsy sort of jewel,” his host said, with a shrug. “And t’old woman said she wouldn’t have it in t’house, all those numbers might be to do with magic, aye? Her not holdin’ with sorcery and t’like.”

The old woman in question was possibly twenty-five, Roger thought, a tiny, dark-eyed creature like a vole, who—summoned to provide tea—sized them up with a shrewd glance and proceeded to sell them a small, flabby-looking cheese, four turnips, and a large raisin tart, at an extortionate price. But the price included her own observations on her husband’s transaction—well worth it, so far as Roger was concerned.

“That ornament—strange thing, no?” she said, narrowing her eyes at the pocket where Roger had replaced it. “Man what sold it to Anthony said he’d had it from a hairy man, one of them as lives on the wall.”

“Which wall would this be, missus?” Buck asked, draining his cup and holding it out for more. She gave him a look from her bead-bright eyes, obviously thinking him a simpleton, but they were paying customers, after all. . . .

“Why, the Roman one, to be sure,” she said. “They say the old king o’ the Romes put it up, so as to keep the Scots from coming into England.” The thought made her grin, small teeth gleaming. “As though anybody’d want to be a-going there in t’first place!”

Further questions elicited nothing more; Mrs. Cumberpatch had no idea what was meant by “a hairy man”; that was what the man said, and she hadn’t wondered about it. Declining an offer from Mr. Cumberpatch for his knife, Roger and Buck took their leave, the food wrapped in the bed sack. But as they did so, Roger saw a pottery dish containing a tangle of chains and tarnished bracelets, and a stray gleam of rainy light struck a tiny red glow.

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