He let him fall off the trunk lid unaided, to see how far away he'd put him. A conscious person will always break his fall. This kid didn't. He hit the alley floor with a dusty thump. Reacher rolled him over and checked his pockets. There was a gun in there, but it wasn't the sort of thing he was going to bear home in triumph. It was a Chinese.22, some imitation of a Soviet imitation of something that was probably useless to start with. He pitched it out of reach under the car.
He knew the back door of the tenement would be unlocked, because that's the point of a back door when you're doing a roaring trade about 150 yards south of Police Plaza. They come in the front, you need to be able to get out the back without fumbling for the key. He inched it open with his toe and stood gazing into the gloom. There was an inner door off the back hallway, leading to the right, into a room with a light on inside. It was about ten paces away.
No point in waiting. They weren't about to take a dinner break. He walked ahead ten paces and stopped at the door. The building stank of decay and sweat and urine. It was quiet. An abandoned building. He listened. There was a low voice inside the room. Then an answer to it. Two people, minimum.
Swinging the door open and standing and taking stock of the scene inside is not the way to do it. The guy who pauses even for a millisecond is the guy who dies earlier than his classmates. Reacher's guess was the tenement was maybe fifteen feet wide, of which three were represented by the hallway he was standing in. So he aimed to be the other twelve feet into the room before they even knew he was there. They would still be looking at the door, wondering who else was coming in after him.
He took a breath and burst through the door like it wasn't there at all. It crashed back against the hinge and he was across the room in two huge strides. Dim light. A single electric bulb. Two men. Packages on the table. Money on the table. A handgun on the table. He hit the first guy a wide swinging roundhouse blow square on the temple. The guy fell sideways and Reacher drove through him with a knee in the gut on his way back to the second man, who was coming up out of his chair with his eyes wide and his mouth open in shock. Reacher aimed high and smacked him with a forearm smash exactly horizontal between his eyebrows and his hairline. Do it hard enough, and the guy goes down for an hour, but his skull stays in one piece. This was supposed to be a shopping trip, not an execution.
He stood still and listened through the door. Nothing. The guy in the alley was sleeping and the noise on the street was occupying the kids on the sidewalk. He glanced at the table and glanced away again, because the handgun lying there was a Colt Detective Special. A six-shot,.38-caliber revolver in blued steel with black plastic grips. Stubby little two-inch barrel. No good at all. Nowhere near the sort of thing he was looking for. The short barrel was a drawback, and the caliber was a disappointment. He remembered a Louisiana cop he'd met, a police captain from some small jurisdiction out in the bayou. The guy had come to the military police for firearms advice and Reacher had been detailed to deal with him. The guy had all kinds of tales of woe about the.38-caliber revolvers his men were using. He said you just can't rely on them to put a guy down, not if he's coming at you all pumped up on angel dust. He told a story about a suicide. The guy needed five shots to the head with a.38 to put himself away. Reacher had been impressed by the guy's unhappy face and he had decided then and there to stay away from.38s, which was a policy he was not about to change now. So he turned his back on the table and stood still and listened again. Nothing. He squatted next to the guy he'd hit in the head and started through his jacket.
The busiest dealers make the most money, and the most money buys the best toys, which was why he was in this building, and not in one of the slower rivals up or down the street. He found exactly what he wanted in the guy's left-hand inner pocket. Something a whole lot better than a puny.38 Detective Special. It was a big black automatic, a Steyr GB, a handsome nine-millimeter which had been a big favorite of his Special Forces friends through most of his career. He pulled it out and checked it over. The magazine had all eighteen shells in it and the chamber smelled like it had never been fired. He pulled the trigger and watched the mechanism move. Then he reassembled the gun and jammed it under his belt in the small of his back and smiled. Stayed down next to the unconscious guy and whispered, "I'll buy your Steyr for a buck. Just shake your head if you've got a problem with that, OK?"
Then he smiled again and stood up. Peeled a dollar bill off his roll and left it weighted down on the tabletop under the Detective Special. Stepped back to the hallway. All quiet. He made the ten paces to the back and came out into the light. Checked left and right up and down the alley and stepped over to the parked sedan. Opened the driver's door and found the lever and popped the trunk. There was a black nylon sports bag in there, empty. A small cardboard box of nine-millimeter reloads under a tangle of red and black jump leads. He put the ammunition in the bag and walked away with it. The pizza was waiting for him when he arrived back on Broadway.
IT WAS SUDDEN. It happened without warning. As soon as they were inside and the door was closed, the man hit Sheryl, a vicious backhand blow to the face with whatever was inside his empty sleeve. Marilyn was frozen with shock. She saw the man twisting violently and the hook swinging through its glittering arc and she heard the wet crunch as his arm hit Sheryl's face and she clamped both hands over her mouth as if it were somehow vitally important she didn't scream. She saw the man spinning back toward her and reaching up under his right armpit and coming out with a gun in his left hand. She saw Sheryl going over backward and sprawling on the rug, right where it was still damp from the steam cleaning. She saw the gun arcing at her along the exact same radius he had used before, but in the reverse direction, coming straight at her. The gun was made of dark metal, gray, dewed with oil. It was dull, but it shone. It stopped level with her chest, and she stared down at its color, and all she could think was: that's what they mean when they say gunmetal.
"Step closer," the man said.
She was paralyzed. Her hands were clamped to her face and her eyes were open so wide she thought the skin on her face would tear.
"Closer," the man said again.
She stared down at Sheryl. She was struggling up on her elbows. Her eyes were crossed and blood was running from her nose. Her top lip was swelling and the blood was dripping off her chin. Her knees were up and her skirt was rucked. She could see her panty hose change from thin to thick at the top. Her breathing was ragged. Then her elbows gave way again and slid forward and her knees splayed out. Her head hit the floor with a soft thump and rolled sideways.
"Step closer," the man said.
She stared at his face. It was rigid. The scars looked like hard plastic. One eye was hooded under an eyelid as thick and coarse as a thumb. The other was cold and unblinking. She stared at the gun. It was a foot away from her chest. Not moving. The hand that held it was smooth. The nails were manicured. She stepped forward a quarter step.
"Closer."
She slid her feet forward until the gun was touching the fabric of her dress. She felt the hardness and the coldness of the gray metal through the thin silk.
"Closer."
She stared at him. His face was a foot away from hers. On the left the skin was gray and lined. The good eye was webbed with lines. The right eye blinked. The eyelid was slow and heavy. It went down, then up, deliberately, like a machine. She leaned forward an inch. The gun pressed into her breast.
"Closer."
She moved her feet. He answered with matching pressure on the gun. The metal was pressing hard into the softness of her flesh. It was crushing her breast. The silk was yielding into a deep crater. It was pulling her nipple sideways. It was hurting her. The man raised his right arm. The hook. He held it up in front of her eyes. It was a plain steel curve, rubbed and polished until it shone. He rotated it slowly, with an awkward movement of his forearm. She heard leather inside his sleeve. The tip of the hook was machined to a point. He rotated the tip away and laid the flat of the curve against her forehead. She flinched. It was cold. He scraped it down her forehead and traced the curve of her nose. In under her nose. He pressed it against her top lip. Brought it down and in and pressed until her mouth opened. He tapped it gently against her teeth. It caught on her bottom lip, because her lip was dry. He dragged her lip down with the steel until the soft rubbery flesh pulled free. He traced over the curve of her chin. Down under her chin to her throat. Up again an inch, and back, under the shelf of her jaw, until he was forcing her head up with the strength in his shoulder. He stared into her eyes.
"My name is Hobie," he said.
She was up on tiptoes, trying to take the weight off her throat. She was starting to gag. She couldn't remember taking a breath since she had opened the door.
"Did Chester mention me?"
Her head was tilting upward. She was staring at the ceiling. The gun was digging into her breast. It was no longer cold. The heat of her body had warmed it. She shook her head, a small urgent motion, balanced on the pressure of the hook.
"He didn't mention me?"
"No," she gasped. "Why? Should he have?"
"Is he a secretive man?"
She shook her head again. The same small urgent motion, side to side, the skin of her throat snagging left and right against the metal.