His quiet words died to silence and the three of them were lost in imagining the terror. The bellowing engines, the hostile bullets smashing into the airframe, the sudden loss of power, the spurt of spilling fuel, the fire, the tearing smashing impact through the trees, the screaming, the rotor scything down, the shuddering crash, the screeching of metal, the smashing of frail human bodies into the indifferent jungle floor where no person had ever walked since the dawn of time. Soper's empty eye sockets stared up into the light, challenging them to imagine.
"Look at the next one," Newman said.
The next casket held the remains of a man called Allen. No burning. Just a yellow skeleton with bright dog tags around the broken neck. A noble, grinning skull. Even, white teeth. A high, round, undamaged cranium. The product of good nutrition and careful upbringing in the America of the fifties. His whole back was smashed, like a dead crab.
"Allen was one of the three they picked up," Newman said.
Reacher nodded, sadly. The sixth casket was a burn victim. His name was Zabrinski. His bones were calcinated and small.
"He was probably a big guy in life," Newman said. "Burning can shrink your bones by fifty percent, sometimes. So don't write him off as a midget."
Reacher nodded again. Stirred through the bones with his hand. They were light and brittle. Like husks. The veining left them sharp with microscopic ribbing.
"Injuries?" Newman asked.
Reacher looked again, but he found nothing.
"He burned to death," he said.
Newman nodded.
"Yes, I'm afraid he did," he said.
"Awful," Jodie whispered.
The seventh and final casket held the remains of a man named Gunston. They were terrible remains. At first Reacher thought there was no skull. Then he saw it was lying in the bottom of the wooden box. It was smashed into a hundred pieces. Most of them were no bigger than his thumbnail.
"What do you think?" Newman asked.
Reacher shook his head.
"I don't want to think," he whispered. "I'm all done thinking."
Newman nodded, sympathetic. "Rotor blade hit him in the head. He was one of the three they picked up. He was sitting opposite Bamford."
"Five and three," Jodie said quietly. "So the crew was Hobie and Kaplan, pilot and copilot, Bamford the crew chief, Soper and Tardelli the gunners, and they went down and picked up Allen and Zabrinski and Gunston."
Newman nodded. "That's what the files tell us."
"So where's Hobie?" Reacher asked.
"You're missing something," Newman said. "Sloppy work, Reacher, for somebody who used to be good at this."
Reacher glanced at him. DeWitt had said something similar. He had said sloppy work for somebody who was once an MP major. And he had said look closer to home.
"They were MPs, right?" he said suddenly.
Newman smiled. "Who were?"
"Two of them," Reacher said. "Two out of Allen and Zabrinski and Gunston. Two of them were arresting the other one. It was a special mission. Kaplan had put two MPs in the field the day before. His last-but-one mission, flying solo, the one I didn't read. They were going back to pick them up, plus the guy they'd arrested."
Newman nodded. "Correct."
"Which was which?"
"Pete Zabrinski and Joey Gunston were the cops. Carl Allen was the bad guy."
Reacher nodded. "What had he done?"
"The details are classified," Newman said. "Your guess?"
"In and out like that, a quick arrest? Fragging, I suppose."
"What's fragging?" Jodie asked.
"Killing your officer," Reacher said. "It happened, time to time. Some gung ho lieutenant, probably new in-country, gets all keen on advancing into dangerous positions. The grunts don't like it, figure he's after a medal, figure they'd rather keep their asses in one piece. So he says 'charge,' and somebody shoots him in the back, or throws a grenade at him, which was more efficient, because it didn't need aiming and it disguised the whole thing better. That's where the name comes from, fragging, fragmentation device, a grenade."
"So was it fragging?" Jodie asked.
"The details are classified," Newman said again. "But certainly there was fragging involved, at the end of a long and vicious career. According to the files, Carl Allen was definitely not flavor of the month."
Jodie nodded. "But why on earth is that classified? Whatever he did, he's been dead thirty years. Justice is done, right?"
Reacher had stepped back to Allen's casket. He was staring down into it.
"Caution," he said. "Whoever the gung ho lieutenant was, his family was told he died a hero, fighting the enemy. If they ever find out any different, it's a scandal. And the Department of the Army doesn't like scandals."
"Correct," Newman said again.
"But where's Hobie?" Reacher asked again.
"You're still missing something. One step at a time, OK?"
"But what is it?" Reacher asked. "Where is it?"
"In the bones," Newman said.
The clock on the laboratory wall showed five-thirty. Not much more than an hour to go. Reacher took a breath and walked back around the caskets in reverse order. Gunston, Zabrinski, Allen, Soper, Bamford, Tardelli, Kaplan. Six grinning skulls and one headless bony set of shoulders stared back up at him. He did the round again. The clock ticked on. He stopped next to each casket and gripped the cold aluminum sides and leaned over and stared in, desperate to spot what he was missing. In the bones. He started each search at the top. The skull, the neck, the collarbones, the ribs, the arms, the pelvis, the legs, the feet. He took to rummaging through the boxes, lightly, delicately sorting the dry bones, looking for it. A quarter to six. Ten to six. Jodie was watching him, anxiously. He did the round for the third time, starting again with Gunston, the cop. He moved on to Zabrinski, the other cop. On to Allen, the criminal. On to Soper, the gunner. On to Bamford, the crew chief. He found it right there in Bamford's box. He closed his eyes. It was obvious. It was so obvious it was like it was painted in Day-Glo paint and lit up with a searchlight. He ran back around the other six boxes, counting, double-checking. He was right. He had found it. Six o'clock in the evening in Hawaii.
"There are seven bodies," he said. "But there are fifteen hands."
SIX O'CLOCK IN the evening in Hawaii is eleven o'clock at night in New York City, and Hobie was alone in his apartment, thirty floors above Fifth Avenue, in the bedroom, getting ready to go to sleep. Eleven o'clock was earlier than his normal bedtime. Usually he would stay awake, reading a book or watching a film on cable until one or two in the morning. But tonight he was tired. It had been a fatiguing day. There had been a certain amount of physical activity, and some mental strain.
He was sitting on the edge of his bed. It was a king-size bed, although he slept alone, and always had. There was a thick comforter in white. The walls were white and the blinds were white. Not because he had wanted any kind of artistic consistency in his decor, but because white things were always the cheapest. Whatever you were dealing with, bed linen or paint or window coverings, the white option was always priced lowest. There was no art on the walls. No photographs, no ornaments, no souvenirs, no hangings. The floor was plain oak strips. No rug.
His feet were planted squarely on the floor. His shoes were black Oxfords, polished to a high shine, planted exactly at right angles to the oak strips. He reached down with his good hand and undid the laces, one at a time. Eased the shoes off, one at a time. Pushed them together with his feet and picked them up both together and squared them away under the bed. He slid his thumb into the top of his socks, one at a time, and eased them off his feet. Shook them out and dropped them on the floor. He unknotted his tie. He always wore a tie. It was a source of great pride to him that he could knot a tie with one hand.
He picked up the tie and stood and walked barefoot to his closet. Slid the door open and worked the thin end of the tie down behind the little brass bar where it hung at night. Then he dropped his left shoulder and let his jacket slide off his arm. Used the left hand to pull it off on the right. He reached into the closet and came out with a hanger and slid the jacket onto it, one-handed. He hung it up on the rail. Then he unbuttoned his pants and dropped the zip. Stepped out of them and crouched and straightened them on the shiny oak floor. No other way for a one-armed man to fold trousers. He put the cuffs together one on top of the other and trapped them under his foot and pulled the legs straight. Then he stood up and took a second hanger from the closet and bent down and flipped the bar under the cuffs and slid it along the floor to the knees. Then he stood up again and shook the hanger and the pants fell into perfect shape. He hung them alongside the jacket.
He curled his left wrist around the starched buttonholes and undid his shirt. He opened the right cuff. He shrugged the shirt off his shoulders and used his left hand to pull it down over his hook. Then he leaned sideways and let it fall down his left arm. Trapped the tail under his foot and pulled his arm up through the sleeve. The sleeve turned inside out as it always did and his good hand squeezed through the cuff. The only modification he had been forced to make in his entire wardrobe was to move the cuff buttons on his shirts to allow them to pass over his left hand while they were still done up.