Then he headed back north and east toward the barns.
Reacher, alone in the dark. Doing it the hard way.
Chapter 75
REACHER STEPPED INTO the beaten earth yard. It was a little more than a hundred feet square, with barns barely visible in the dark on the north side, and the east, and the south. All three barns looked to be pretty much identical. Same vintage, same construction, same materials. They had tall sliding doors and tile roofs and wood wall planks, dull gray in the starlight. They were newer than the standalone barns, and much stronger. Straight and square and solid. Which was good news if you were Jackson the farmer, Reacher guessed. But which was bad news for him. No warped boards, no gaps, no cracks, no knot holes.
No immediate way of telling which one was currently occupied.
He stood still. North or east, he guessed. Easier for the truck. Either a straight path in, or a simple ninety-degree right hook. Not the south, he thought. It would have needed a one-eighty U-turn to reach the doors, and it had its back to the house and the driveway anyway. Not a comfortable feeling. Psychologically the possibility of a direct line of sight out the door was important. Even in the pitch dark.
He crossed the yard, slow and silent. His ruined shoes helped. The thick layer of mud on the soles kept them quiet. Like sneakers. Like walking on carpet. He made it to the near left-hand corner of the north barn and disappeared into the blackness alongside it. Circled it, clockwise. Felt the walls. Tapped them, gently. Stout boards, maybe oak, maybe an inch thick. Nailed to a frame that might have been built from foot-thick timbers itself. Like an old sailing ship. Maybe there was an inner skin of inch-thick boards. He had lived in worse places.
He came all the way around to the right-hand front corner and paused. There was no way in except for the main front doors. They were made from four-inch timbers banded together with galvanized steel straps and hung from sliders at the top. U-shaped channels were bolted to the barn's structure, and wheels the size of the Mini Cooper's were bolted to the doors. More U-shaped channels were set in concrete at the bottom, with smaller wheels in them. Practically industrial. The doors would slide apart like theater curtains. They would open maybe forty feet. Enough to get combine harvesters in and out, he guessed.
He crept along the front wall and put his ear on the space between the door and the wall. Heard nothing. Saw no chink of light.
Wrong one, he thought.
He turned and glanced east. Has to be, he thought. He set off toward it. Diagonally across the square. He was twenty feet from it when the door rolled back. The door was noisy. The wheels rumbled in their tracks. A yard-wide bar of bright blue light spilled out. Xenon beams. The Toyota SUV, parked inside, its headlights on. Addison stepped out through the bar of light. His MP5 was slung over his shoulder. He cast a monstrous moving shadow westward. He turned to roll the door shut again. Both hands, bent back, big effort. He got it to within six inches of closed and left it like that. Still open a crack. The bar of blue light narrowed to a thin blade. Addison clicked on a flashlight and as he turned forward its beam swung lazily across Reacher's face. But Addison's gaze must have lagged it by a second. Because he didn't react. He just turned half-left and set off toward the house.
Reacher thought: Decision?
No-brainer. Take them out one at a time, and thanks for the opportunity.
He took a deep breath and stepped through the blade of light and fell in behind Addison, twenty feet back, fast and silent. Then he was fifteen feet back. Then ten. Addison knew nothing about it. He was just walking straight ahead, oblivious, the flashlight beam swinging gently in front of him.
Five feet back.
Three feet back.
Then the two figures merged in the dark. They slowed and they stopped. The flashlight hit the dirt. It rolled slowly to a halt and its yellow beam cast long grotesque shadows and made jagged boulders out of small golden stones. Addison stumbled and went down, first to his knees, then on his face, his throat ripped clean out by the knife from Reacher's shoe.
Reacher was on his way even before Addison had stopped twitching. With an automatic rifle, two submachine guns, and a knife. But he didn't head back to the barns. He walked on down to the house instead. Made his first port of call upstairs in the master bedroom. Then he stopped in the kitchen, at the hearth, and at the desk. Then he came back out and stepped over Perez's corpse and a little later over Addison's. They're not necessarily better fighters than people currently enlisted, Patti Joseph had said, days ago. Often they're worse. Then Taylor had said: They used to be outstanding, but now they're well on the way to average. You all got that right, Reacher thought.
He walked onward, north and east, toward the barns.
He stopped beside the eastern barn and considered his ordnance. Rejected the G-36. It fired only single rounds or triples, and it fired the triples too slowly. Too much like the sound of a regular machine gun on the TV or in the movies. Too recognizable, in the dead of night. And it was possible that the barrel was bent. Nothing that he would be able to see with the naked eye, but he had hit Perez hard enough to do some microscopic damage. So he laid the G-36 on the ground at the base of the barn's side wall and dropped the magazine out of Perez's MP5. Nine rounds left. Twenty-one expended. Seven triples fired. Perez had been the designated trigger man. Which meant that Addison's magazine should still be full. Which it was. Thirty rounds. The fat 9mm brass winked faintly in the starlight. He put Addison's magazine in Perez's gun. A magazine he knew to be full, in a gun he knew to be working. A sensible step for a man who planned to live through the next five minutes.
He piled Addison's gun and Perez's magazine on top of the discarded G-36. Rolled his shoulders and eased his neck. Breathed in, breathed out.
Showtime.
He sat on the ground with his back against the partly open door. Assembled the things he had brought from the house. A kindling stick, from the basket on the hearth. Three rubber bands, from a jar on the desk. A tortoiseshell hand mirror, from Susan Jackson's vanity table.
The stick was a straight seventeen-inch length of an ash bough, as thick as a child's wrist, cut to fit the kitchen grate. The rubber bands were strong but short. The kind of thing the mail carrier puts around bundles of letters. The hand mirror was probably an antique. It was round, with a handle, a little like a table tennis bat.
He fixed the tortoiseshell handle to the ash bough with the rubber bands. Then he lay down flat on his front and inched the bough forward. Toward the six-inch gap where the barn door stood open. Left-handed. He tilted the stick and turned it and manipulated it until he could see a perfect reflection of the view inside.
Reacher, with a mirror on a stick.
Chapter 76
THE MIRROR SHOWED that the barn was strong and square because it had vertical poles inside that held up the roof ridge and reinforced the timber peg rafters. The poles were foot-square balks of lumber anchored in concrete. There were twelve in total. Five of them had people tied to them. From left to right in the mirror Reacher could see Taylor, then Jackson, then Pauling, then Kate, then Jade. Their arms were pulled behind them and their wrists were tied behind the poles. Their ankles were tied together. They had duct tape across their mouths. All except Jackson. He had no tape. But his mouth was a bloody mess. He had deep cuts above both eyebrows. He wasn't standing. He had slumped down into a semiconscious crouch at the base of his pole.
It was Taylor who had been wounded. His shirt was torn and soaked with blood, upper right arm. Pauling looked OK. Eyes a little wild above the slash of silver tape, hair all over the place, but she was functioning. Kate was as white as a sheet and her eyes were closed. Jade had slid down her pole and was sitting on her heels, head down, motionless. Maybe she had fainted.