Which was awkward, because it was a suicide door, with the handle at the front, one of a seamless pair with the driver’s door handle, which was on a regular door, and Charlie was approaching from the rear, all of which meant Charlie had to pass by his driver, and then stand and wait until the guy opened up, and then reverse direction, and get in. But between them they got the job done eventually. Charlie settled back, and the driver closed the door on him, and he opened his own regular door, and he slid in, and the two guards got in on the other side, one in the front and one in the rear.
At nine o’clock exactly the gate started to move.
FORTY-SIX
I WAS CLINGING to two crucial assumptions, the first of which was that the short old guy in the Rolls-Royce thought of himself as a bit of an artist. Maybe he was a veteran wheelman from way back, an old pro, adaptable to any circumstance, whether the requirement was for a fast getaway from a bank job, or a silent chauffeur for the top boy, but one who secretly colluded in his boss’s obsessions, such as for precision timekeeping, especially with sensitive destinations ahead. Therefore I expected the guy to touch the gas when the gate was open some exact accustomed distance, such that it would be still wider open when the car actually got there, thereby allowing the car to pass through, fast and neat and fluent, but with only inches to spare, as if the guy’s mechanical precision was somehow a homage or a tribute to his boss’s chronological precision. I figured that was how an artist would play it.
Which meant I had to guess the guy’s hit-the-gas signal, and hit mine about three seconds earlier, because I was still some ways down the street, and I had distance to make up. But I couldn’t afford to arrive either early or late, so I set off at a slow roll, which I thought was acceptable, because a minicab driver might need to make a note or put his pen away, before looking up and engaging his brain and taking off for real. I saw the Rolls-Royce move when the gate was about two-thirds open, slow and smooth, a modest, whispering acceleration, as if the driver intended to take the turn into the street without pausing, as one fluid move.
I watched the speed of the gate and the speed of the car, and the depth of the sidewalk, and the distance between where I was and where I would need to be, and I let the back part of my brain make a quick and dirty decision about when to go, and I hit the gas when it told me to. The grimy old Ford jumped forward, ten yards, twenty, and then I stamped on the brake and the car came to a dead stop, right where the Rolls-Royce wanted to be, so the Rolls-Royce driver stamped on his own brake in turn, and he came to a stop with his majestic grille two feet from Casey Nice’s door, and behind him the chase car stopped two feet from his back bumper.
Then the next split second was all about Casey Nice sliding out through her narrow gap and heading left, her gun out exactly like the federal agent she was, with me skittering around the hood from the other flank, gun out too, and heading right, breathless, for the all-bodyguard side of the limousine, for the twin door handles, right there side by side in the middle of the car, such that both handles could be grabbed at once, and both doors thrown open at the same time.
The second crucial assumption I was clinging to was that modern automobiles had a device that locked the doors automatically, but only when a predetermined speed had been achieved. Which I was sure had not been achieved. Not in this case. Not yet.
I held the Glock finger and thumb and put my hands on the handles.
And pulled.
Both doors opened.
And both doors opened on Nice’s side, too, which put us exactly where we wanted to be in relation to the chase car, which was each of us safely behind our very own hunk of armoured steel and armoured glass. The back doors and the back glass, Bennett had said, in his sing-song voice. And the back doors were hinged at the rear, and they opened wide, to a full ninety degrees, so they stuck straight out sideways, like Little Joey’s ears, thereby keeping us protected as we went about our business. Only against handguns, Bennett had continued, but I figured that was OK, because I was sure the guys in the chase car had nothing bigger. Not that I expected them to shoot at all. Too much risk of hitting Charlie. They would know the rear windshield was armoured, but Bennett hadn’t mentioned anything else, so they wouldn’t risk a wild deflection through a soft-skinned area like the trunk, or a rear wheel arch, because it could come through the upholstery and hit a back seat passenger anywhere from the ass to the neck. So I expected them to freeze for a second, and then to react, and then to change their minds, and finally to do what they should have done first, which was come swarming out of the car and straight at us. But they would do it fourth, not first, which would give me three clear seconds to get my business done, one thousand, two thousand, three thousand, like the long lonely flight of John Kott’s bullet, through the cold Parisian air.
My business was to aim the Glock at Charlie White’s head in a threatening manner, while using the linoleum knife in my other hand to cut the rear guard’s seat belt, in two places, slash, slash, and then to lean in and launch a kind of backhand elbow to the far side of the guy’s head, so he ended up falling out, and then to shuffle sideways and do it all again, to the guard in the front, slash, slash, the elbow, the guy falling out, and then to turn and kick the back seat guy, in the head, and the front seat guy, the same, to keep them out of action on the ground, and then to hustle back to the Ford, and move it out the way, and jump out again, and turn, by which time I was into the fourth second, and they were out of their car.
But I had to fire anyway. All part of the plan. But not at their tyres. The angle was wrong. The bullet would have bounced off, literally. Tyres can be freakishly strong. Best way to disable a modern automobile is to fire through the grille. Under the hood. All kinds of wires there, and computer chips, and sensors.
Which is what I did. Four rounds, spaced but fast, crouched wide around my armoured door, bang-bang-bang-bang, which set the four guys back a step, which gave me time to lunge forwards and slam my front door shut, and to hurdle the guys on the ground, and to shuffle and pivot and dump myself down next to Charlie, and to haul my rear door shut, while Nice in the front hit the gas, having used her own Glock and her own knife on the short guy, and the Rolls-Royce surged forward like a tidal wave and howled down the street. The four guys ran after us for half a block, just like the movies, and then they stopped, and watched us go.
FORTY-SEVEN
THE ROLLS-ROYCE FELT exactly like it should, given the things people like to say. It was very hushed, and it was very smooth. The rear bench was built like an armchair in an officers’ club. It was deep, and wide, and soft. Next to me Charlie White was still belted in. His body was facing front, but his head was turned, and he was staring at me. A strand of his hair had fallen out of place. Up close his nose was like most of an avocado pear. But overall he looked exactly like a gang boss. He was full of power and strength and confidence.
I said, ‘Are you armed, Charlie?’
He said, ‘Kid, you know you just signed your own death warrant, right? Please tell me you’re clear about that. No one does what you just did.’
‘But?’
‘But nothing.’
I said, ‘There’s always something, Charlie.’
‘Do you have any idea how much trouble you’re in?’
‘So much I should cut my losses and shoot you in the head and walk away while I still can?’
He said, ‘You could do that. Or you could get a stay of execution just long enough to get out of town. That’s what I’m offering. But I only ask once, and I take your first answer, so you’d better put your thinking cap on, kid, about what comes next, about how hard it’s going to be, and how hard it’s going to be every day for the rest of your life.’